These complicated and beautiful, mostly over-sized geometric natural forms have become part of artist Floyd Elzinga’s sculptural signature.

A sculptural representation of a pine cone made from weathered steel, showcasing organic shapes and intricate details that symbolize potential and renewal.
Pine Cone, 11 X 8 X 8 in., Weathering Steel, White Rock Gallery here

The Niagara-area artist makes them in steel, weathering steel, stainless steel & bronze, from 4″ to 12′

Interior view of a modern atrium showcasing oversized geometric sculptures resembling pine cones, created by artist Floyd Elzinga, with a bright, airy atmosphere and visitors in motion.

Above, a collection of 21 pine cones (18 suspended) of various sizes and shapes at Brookfield Place, Toronto. Responding to the architecture of Santiago Calatrava’s parabolic arched roof as a post-modern forest made of โ€œsteel in the cityโ€ – this exhibit was a simple extension of that metaphor to have oversized pine cones floating in this space – Floyd Elzinga

A blue metallic sculpture resembling a pine cone, featuring stylized leaves and a textured stem, symbolizing potential and renewal.
Bronze Cone with blue patina
A large, sculptural interpretation of a pine cone made from weathered steel, situated in a field of dry golden crops under a cloudy sky.
Classic cone, Classic Cone, Corten Steel, 6’x6’x6′

Rotten stumps, broken branches, invasive species, ravaged trees as well as polar opposites and dysfunctional objects; these are the things that excite Floyd Elzinga. He has made a career out of highlighting and glorifying these through three dimensional sculpture, relief work and environmental installations for over 25 years. Read Unzip the Earth and see it more closely in the video as an example.


Elzinga received a Bachelor of Fine Arts from the Nova Scotia College of Art & Design in Halifax, NS. He was initially drawn to steel, due to its malleable, plastic and forgiving nature, and he continues to utilize its range of colours as well as the way light plays off the surface. He has been exploring traditional metal working techniques to create textures and depth the same way a painter would use a paintbrush.

Floyd Elzinga’s website, here.

His Pine Cones page, here.


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