Sandra Brewster’s installation at the McMichael explores the distinctive species of fish in a river in Guyana, using the flow of the water as a metaphor for migration and transformation.
The Toronto artist’s project – FISH, on view through January, 2026 – focuses on the Essequibo River using drawing and photo-based gel-transfer techniques. The best way to understand Brewster’s approach, her history and the artistic statement itself is to watch this excellent six-minute video.
Brewster is a multidisciplinary artist whose work spans drawing, photography and sculpture to explore the interplay between identity and environment. Below, part of the installation: FISH (2025), acrylic, drawing and photo-based gel transfer on wall. McMichael Canadian Art Collection, Photo: Toni Hafkenscheid
Below: Another example of Brewster’s photo-based gel transfer on a wall, this one from a previous exhibit called DENSE at The Power Plant Contemporary Art Gallery in Toronto, also featuring the Essequibo River.
Sandra Brewster’s website, here.
FISH at The McMichael, here.
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You’re reminding me how much I always enjoyed a visit to the Power Plant gallery. I’m glad to know that it is still (the inevitable pun) a power house of contemporary art.
It is indeed, always. Sometimes I think I like the space more than the exhibits. Great place.
That, too!
That was outstanding. Great video, as well.
I so appreciate when an artist or gallery produces a video that’s not just installation pictures, one that explains or educates, like this one did.
I agree. It’s so interesting to see how they work and hear their ideas. This was a wonderful one and I love her work.