A wooden sculpture by Willy Verginer depicting a figure lying on a bed of blue lily pads, blending natural and stylized elements, set against a dark background.
Volo e Tutto Sembra Blu, 2025, Lindenwood, iron and acrylic, 31 x 64 x 37 ” (source)

Italian sculptor Willy Verginer (on exhibition at Montreal’s Galerie LeRoyer) was raised in the Val Gardena region, surrounded by the summits and forests of the Dolomite Mountains which became an important influence in his work.

Two wooden sculptures displayed in an art gallery; one depicts a figure with a flower-like headpiece, while the other features a figure with black leaves, set against a textured stone wall.
Installation view, Galerie Le Royer, Montreal

Verginer uses a unique sculptural language that combines technical mastery with conceptual depth. Trained in the centuries-old woodcarving tradition of Val Gardena, he roots his work in craftsmanship while asserting a distinctly contemporary vision. 

Sculpture of a child in a playful pose, holding an object, with a crow perched on one foot. The sculpture features a mix of blue and natural wood tones, illustrating Willy Verginer's unique style.
From a group exhibition at MAKASIINI CONTEMPORARY in Finland earlier this summer (source)

“The landscape I live in is incredibly beautiful, and it shapes both my material and my themes. Wood, my raw material, ties me to a long tradition of carving, yet it also serves as a metaphor for resilience and vulnerability. Surrounded by such nature, it feels inevitable that my work addresses the tension between beauty and its overexploitation, reminding us of the fragile balance we so often disrupt – Willy Verginer

A sculpted half-animal figure, resembling a goat, in a natural wood finish with a vibrant purple hue, stands atop four ornate purple chairs against a white brick wall.
Lojulaita, 2025, Lindenwood and acrylic, 67 x 75 x 57 “

Verginer’s works are composed of several blocks of wood, dried naturally over six years to avoid morphing. He uses a chainsaw and a hatchet to form the sculptures, refining them with chisels and small tools for such things as the eyelids or earlobes of his figure.

Sculpture by Willy Verginer featuring a figure with one blackened arm and torso, standing on a base with small plants, against a gray background.
Desert Flowers, 2025, Burnt lindenwood, acrylic and iron, 73 x 43 x 43 “

His sculptures, often life-sized, are meticulously carved from wood and then painted in crisp, clearly defined color fields, a choice that turns them into true visual metaphors, his gallery says.

Willy Verginer painting a sculpture in his workshop, showcasing his unique artistic process.

Throughout his career, Verginer has explored ecological themes, for example juxtaposing oil drums, wild animals and clear-cut forests to bear witness to the fragility of ecosystems. (see much more here)

Two wooden sculptures by Willy Verginer are displayed in an art gallery. One sculpture depicts a figure lying on a blue barrel, while another figure rests on a structure made of wooden sticks. The figures are intricately carved and feature contrasting colors that highlight their forms.
Installation view, exhibition at Galerie LeRoyer, Montreal see more here

His compositions draw from art history, mythology, and personal narrative. 

Sculptures by Willy Verginer displayed at Galerie LeRoyer, featuring a seated figure in a dress and oversized hat, alongside a standing figure in a light-colored dress, with a blurred urban background visible through the window.

Willy Verginer’s website, here.

His artist page at Galerie LeRoyer, here

(The Exhibition – titled runs through October 15, 2025)


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