A clear glass bowl filled with black and white printed photographs arranged on the bottom.

An exhibition of works by Margarita Fainshtein features reproductions (in various forms) of identification documents collected from her multi-generational family from around the world.

Art installation featuring layered reproductions of identification documents, showcasing various printmaking techniques in a spacious gallery setting.
The Fabric Maze, 2017-2020, screen printing and heat press on translucent fabrics, variable dimensions, more here

Fainshtein reproduces then sorts the documents into groups, layering them using printmaking and etching techniques. The result is relief prints that combine to build a new unified identity.

Abstract close-up of layered prints resembling identification documents, showcasing a mix of textures and transparencies.

Top of post: The Dish,ย Resin, with embedded inkjet and screen prints on fabric, 97 cm in diameter (62 cm inner diameter)ย , 2024, Photo Credit Irena Kazatsker. Above: Detail, The Dish.

About her own identity, Fainshtein says:

“I struggle to say where I am from. I am from many places, and I have always wanted to belong, to have a place to call home. I was born in Ukraine, repatriated to Israel and then immigrated to Canada. I am Nova Scotian; however, I have other cultural identities, which interact with each other and make me who I am.”

A close-up of a transparent resin sculpture resembling a box with intricate patterns and textures, including embedded text and designs.
(Detail) Self-portrait (the suitcase), 2020, Etched Acrylic, 8 x 11 x 4 โ€ณ

At Katzman Art Projects, Halifax, here.

Artist page for Margarita Fainshtein, here.


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