A picturesque winter scene featuring a yellow house surrounded by snow-covered trees, with a sunset sky in the background. The house has a warm glow from a window, and several other houses are visible in the snowy setting.

At the Break of Dawn (Sackville Street, Toronto), undated, Oil on wood panel, 32 x 30 in

John Kasyn (1926-2008) was best known for images of old Toronto homes, providing nostalgic documentation of the historic buildings of the inner city.

A watercolor painting of a winter scene featuring several houses with snow-covered rooftops, a wooden fence, and bare trees. The house on the right has an illuminated window, suggesting warmth amidst the cold environment.

Above: Winter on Eastern Ave, 1975, watercolour on paper, 6 x 10 in


Often depicting the back lanes and rear views of working class Toronto semi-detached houses, Kasyn felt the backs of homes were where the occupants revealed their true selves, and that the house fronts were reserved for display. Kaysn was more interested in such details as the broken fences and clotheslines that he felt gave insight into the lives of the occupants – Heffel


A winter street scene featuring snow-covered houses, a dirt path, and bare trees. The houses display a mix of brick and siding, with icicles hanging from the rooftops.
Lane Off McCaul St., watercolour on paper, 5.5 x 8.5 in โ€” 14 x 21.6 cm

John Kasyn was born in Poland in 1926 and came to Winnipeg in 1938. He began his artistic training at the Winnipeg Museum while in public school. In 1940, his family moved to Toronto, where he studied at the Central Technical School, then pursued his studies at the Ontario College of Art.

A winter scene featuring brown and white houses with a snow-covered yard, bare trees, and a bright blue sky.
Sackville Street Yard in Winter Sun, 1981, Oil on board, 23 ร— 39 in 

After completing school, Kasyn worked as an art director in a variety of design studios before dedicating himself to painting full-time. He spent 50 years painting the back streets and lanes of old Toronto.

Winter scene depicting a snow-covered backyard with several houses in muted colors, including red and beige, and bare trees.

He has elected to get the details of every stoop, every window, every dripping icicle right. Houses, like people, put their best face forward but Kasyn is more curious about the rear view. People don’t live at the front of their houses. The back lanes are more interesting than the front. That’s where the clotheslines are, the lean-tos, the garbage cans and broken fences. Toronto Star, 2000 via Klinkhoff Gallery here

This video from Rookley’s Fine Art is worth watching for more context.

Kasynโ€™s paintings are part of many public and private collections across Canada and are valued for both their artistic merit and the nostalgic documentation they maintain of historic buildings in Toronto.

John Kasyn’s works at Canadian fine art auction houses:

At Heffel, here.

At Cowley-Abbott, here.

At Levis, here.


Logo for the '150 Canadian Artists' series featuring bold black text on a white background, enclosed in a red frame.

This is No. 73 inย 150 Artists, an ongoing series on Canadian artists you should know.



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6 Comments

  • I love this tribute to Kasyn. I bought one of his “Back of… ” paintings in the late 70s, when living in Calgary and feeling some nostalgia for Toronto alleys. Kasyn hasn’t the renown (and market value) of AJ Casson, but my own preference is definitely K not C, and for the reasons you and the video provide: the architectural detail, the respect and love for humble urban vernacular of his day. I always loved those alleys myself and, thanks to him, this particular bit of alley, at that particular moment in time, is mine to continue to enjoy.

  • wonderfully insightful work. As an applied anthropologist, I worked in a working-class neighborhood for years that expressed the same contrasts. The artist’s eye for patterns and details was especially interested. My, My, the intersection of Art and anthropology!

    • What a fascinating comment, thank you. I get it, and love the link to applied anthropology. I lived for many many years in neighbourhoods like this througout Toronto and found his eye especially discerning and his works so beautiful.

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