Editor’s Note: The premiere of the new adaptation of this powerful novel caused a surge of interest in this post. Margaret Atwood says it’s not just the TV series. The book’s sales have surged, likely due to what some call the “Trump bump” for dystopian literature. Here’s the original post.

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It’s fascinating to see how a pair of Italian illustrators (twin sisters) conceived the images for A Handmaid’s Tale, the novel that propelled Canadian author Margaret Atwood to international recognition. Anna and Elena Balbusso have won a slew of awards for a new edition of Atwood’s futuristic story, published by the Folio Society of the U.K.

The narrator of the 1985 novel is the handmaid Offred, stripped of freedom and rights in a totalitarian republic carved from the former United States.  Her job is reproduction.  Anna and Elena Balbusso’s illustrations slam home the regimented and hierarchical structure of Atwood’s Republic of Gilead. (Above: Ceremony; Below: Wall)

The illustrations accurately reflect the chilling nature of Atwood’s cautionary tale.

To give a visionary interpretation and to create the right atmosphere for the story, we chose a futurist tone with accentuated perspectives and strong light. We used few colours and with a prevalence of red, black and white. Futurism, Russian Constructivism and fascist-period design were our references. -Interview, Folio Society

Above: Examination; Below: Lipstick and City

Anna & Elena Balbusso, twins from Italy, are based in Milan. Since 1994 they have worked as a freelance team illustrating in Italy, France, U.S., United Kingdom and the Republic of Korea. Their works have been published worldwide in a variety of media, including book jackets, magazines, newspapers, in-house corporate, ads, children’s books and classic novels.

The Balbusso website, here.


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