
Forest on Fire (#3), acrylic and ink on carved wood, 30 cm x 23 cm, 2015
Images of wildfires in western Canada prompted artist Phyllis Gordon to begin researching fires and creating artwork of burning forests, working on wood supports and making woodcut prints to depict the beauty and danger of fire. Then she was inspired to take a journey.
Gradually, I felt an urgency to witness and to embody in my art the aftermath of fires. Almost with a sense of pilgrimage, I undertook road trips to burnt forests in Arizona, Nevada and California (2016), and Saskatchewan, Alberta (including Fort McMurray) and the Northwest Territories (2017).
Gordon, a former lawyer based in Toronto, spent long stretches in these areas investigating through observation and photography. Her intent is to “address the beauty and power of fire, and examine the deterioration, survival, and new growth that is the aftermath of fires, now greatly intensified by global warming.”
Gordon’s portfolio includes numerous projects related to her focus on “the current formidable risks facing the natural world and humankind as a result of global warming.” The work above is in a series called Postcards from Fort McMurray, where a devastating 2016 wildfire in that northern Alberta community evacuated 80,000 people and burned through 2,500 buildings.
Phyllis Gordon’s website, here.
NOTE: Since this piece was published, another series of wildfire works has come to my attention as the result of meeting Annerose Georgeson when she left a comment on this post. Based in the interior of British Columbia, she created these works after she went out in the bush with her logger brother and saw the forest on fire.
Categories: Mixed Media
I love this work! Thanks for sharing it
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Hi Annerose, thanks for your comment. I just went to your website and no wonder you were so interested. Your forest fire works are also stunning. OK if I post a link to them in a comment?
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Yes, of course, thanks so much!!!
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I have put a link to your forest fire works into the post, at the end. Very powerful works. Thank you.
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Thanks J, for your very kind words and for the link. I really appreciate it. 🙂
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Like the hues and the fire somehow looks alive!
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Yes, I’m with you on the movement in those works. I especially liked that she travelled to get the whole context for her pieces.
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