A display of five intricate masks on an orange wall, showcasing the diverse styles and craftsmanship of Northwest Coast carving.

The contribution of women to the long tradition of carving is highlighted in an exhibition called Curve, Women Carvers on the Northwest Coast, a collection of 130 works that include poles, panels, masks, bowls, and other sculptures.

A carved wooden mask featuring a stylized face, adorned with fish designs and vibrant colors, representing the artistic traditions of the Northwest Coast.
Dale Marie Campbell, Woman who Brought the Salmon, 2021, alder, abalone and pigment, Private Collection.

The exhibition highlights a selection of women carvers active from the 1950s to present day, highlighting the pivotal role of women artists within the larger tradition of indigenous carving along the coast of British Columbia. Works are traditionally carved from wood and argillite, a dense black rock found in the Haida Gwaii archipelago. 

A circular wooden carving featuring stylized animal motifs in red, black, and green, showcasing the intricate artistry of Northwest Coast indigenous art.
Cori Savard, Xiilang (Thunderbird), 2021, yellow cedar, pigment, Private Collection.

Although women of the Northwest Coast have long carved poles, canoes, panels, and masks, many of these artists have not become as well known outside their communities as their male counterparts (such as the late, celebrated artist Beau Dick, here).

A tall wooden totem pole with faces carved on its surface stands beside a large wall sculpture featuring multiple stylized faces, both displayed in a modern art gallery.
Installation view, Audain Art Museum, Curve exhibition

These women artists are cherished within their communities for helping to keep traditional carving practices alive, and for maintaining the dances, songs, and ceremonies intertwined with visual art production.

A carved wooden mask with vibrant colors on display in an art gallery, featuring intricate designs and traditional Northwest Coast elements.
nstallation view, Audain Art Museum, Curve exhibition

Ellen Neel, Freda Diesing, and Doreen Jensen, three iconic Northwest Coast artists, serve as historic context for this exhibition, says the Audain Art Museum, which curated the show.

A carved wooden mask depicting a woman's face with braided hair and intricate detailing, highlighted against a dark background.
Freda Diesing, Old Woman with Labret, 1973, alder, cedar bark, hair, abalone shell, and paint, Audain Art Museum Collection, Purchased with funds from the Audain Foundation.

The contributions of these three women “paved the way for subsequent generations of carvers and left an indelible mark on Northwest Coast art,” the Audain says.

A colorful Northwest Coast carving featuring a stylized figure with an eagle perched above, showcasing intricate details and traditional design elements.
Ellen Neel, Totemland, c. 1965, wood, pigment, Private Collection.

 “More than 60 of the works are masks, which are often used as ritual objects in potlatch ceremonies and dances, where wearers embody animals, ancestral spirits or supernatural beings. Today, carvers are also creating masks for the market, where theyโ€™re finally getting recognition as works of high art” – from an excellent illustrated feature in Macleans magazine, here.

An exhibition space showcasing a large Northwest Coast totem sculpture featuring a mask and decorative elements, alongside a display case with smaller carved masks on an orange wall.
Installation view, Audain Art Museum, Curve exhibition

Attention to this groundbreaking show attracted the interest of the National Gallery of Canada and a condensed version of the exhibition will go to Ottawa from Feb. 13 – June 14, 2026.

Exhibition site for Curve, Women Carvers on the Northwest Coast at the Audain Art Museum in Whistler, B.C. here.

Audain Museum exhibition on Instagram, here.


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