This exhibition at the Museum of Vancouver traces the evolution of Gu Xiongโ€™s artistic practice and the major influences that defined it.

An artist stands confidently in front of a large abstract artwork that features a black and white mesh pattern. The artist is dressed in a matching patterned outfit, with a paint bucket at their feet, in a well-lit studio with wooden floors and large windows.
The artist in 2026 in front of his performance installation, Enclosures (1989-2026)

Born in Chongqing, China and based in Vancouver, BC, Gu spent time as a labourer during the Cultural Revolution, faced challenges as a Canadian immigrant, built an academic career as a professor at UBC, and explored global migrationโ€”all the while committing to his artistic practice.

A person standing next to a large sculpture made of stacked cardboard boxes with cut-out faces, in a modern indoor space.
Yellow Cargo (2016-26) a large-scale installation that explores globalization through the lens of migrant workers in Canada.

An internationally recognized multidisciplinary artist, Gu works across mediums, including painting, sculpture, photography, video, and site-specific installations. “His work redefines how we understand migration, hybridity, and globalization,” the museum says.

A man with dark hair stands with crossed arms in front of a red wall covered in black calligraphy.
The artist in front of his painting, My Own Words, 1996

The website of Gu Xiong

His extensive bio, here.

Becoming: The Art of Gu Xiong – on through Feb. 7, 2027 at The Museum of Vancouver

A profile of the artist, and the exhibition, in The Tyee, May 2026

A good article below, in Preview Art Magazine.

Image at top of post: Gu Xiong in front of his Crushed Cans painting and silkscreen print series (1991-93), an embodiment of his experience with culture shock.


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