Canada Post is commemorating this week’s National Day for Truth and Reconciliation with stamps featuring the iconic Bentwood Box of artist Luke Marston. The move is a tribute to Survivors and a symbol of healing, reconciliation and hope.

Three Canadian stamps commemorating the National Day for Truth and Reconciliation, featuring the Bentwood Box design as a tribute to Survivors, symbolizing healing and hope.

The issue includes three unique stamps depicting the front and sides of the Bentwood Box and reflecting the distinct cultures of First Nations, Inuit and Mรฉtis, and their children who attended residential schools.

Hands Raised Helplessly

On the stamp depicting the front panel of the box, crosses represent the churches that ran residential schools (with the federal government), while raised hands symbolize the helplessness felt by parents when their children were taken away and sent to residential schools.

A Bentwood Box designed by artist Luke Marston, showcasing traditional First Nations art and cultural symbols, commemorating Indigenous experiences and reconciliation.

The box by Marston, a renowned Coast Salish artist, was commissioned by Canadaโ€™sย Truth and Reconciliation Commissionย in 2009 as a tribute to Indian Residential School survivors. It travelled across Canada with the commission during years of reconciliation hearings (see the commission’s finding of ‘cultural genoicide’ at the end of this post).

On the box, Marston depicts his grandmotherโ€™s experience at one of the church and government schools, where children were taken by the thousands and stripped of language and culture (see more about the history of Bentwood Boxes at this Art Junkie post).

A commemorative stamp by Canada Post featuring the Bentwood Box by artist Luke Marston, symbolizing Truth and Reconciliation with Indigenous peoples.

This stamp features a panel on the box that depicts the Inuit experiences at residential schools. The northern lights and stars in the background represent Inuit ancestors and teachings. Students were separated from this knowledge while at residential schools.

A Bentwood Box by artist Luke Marston, featuring intricate carvings representing Indigenous heritage, displayed indoors near a window.
Front and side view of the box created by Luke Marston, from his website, here.

On the third stamp below, a panel depicts student experiences from the Prairies and Eastern Canada. The infinity symbol, found on the Mรฉtis flag, acknowledges the Mรฉtis children who were taken.

A commemorative stamp featuring the Bentwood Box by artist Luke Marston, highlighting themes of truth and reconciliation, with colorfully designed faces and an infinity symbol.

A Horrific Record

If you are not familiar with the horrific record of Canadaโ€™s residential schools, the countryโ€™s National Centre for Truth and Reconciliation has an overview to help familiarize you with the issues here.

The easiest take-away from that site is:

The Truth and Reconciliation Commission of Canada (TRC) concluded that residential schools were โ€œa systematic, government- sponsored attempt to destroy Aboriginal cultures and languages and to assimilate Aboriginal peoples so that they no longer existed as distinct peoples.โ€ The TRC characterized this intent as โ€œcultural genocide.โ€

Luke Marston’s website, here.

A Q&A about the Bentwood Box, here.

A Reuters photo site with archive images of children at residential schools, here.


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