The late Doris McCarthy had a profound impact on the Canadian view of the Arctic, a heritage highlighted in an exhibition running through April. McCarthy made her first trip to the Arctic in 1972, traveling by dogsled to her first iceberg and painting alone in remote communities far above the Northwest Passage. (Above: Icebergs among the islands / Wynick/Tuck Gallery)
-McCarthy painting at Grise Fjord, Nunavut 1976 / Image from Canadian Art
“McCarthy was besotted,” according to exhibition notes in a superb online catalogue for Glam North, Dorothy McCarthy and her New Contemporaries (the show includes works by Sarah Anne Johnson and other Canadian artists who glamorized the north). The trip was life changing, and the Arctic became a key subject for the Alberta-born artist for the rest of her life. She returned to the Arctic frequently, making her last trip in 2004 at the age of 94. (She died in 2010 at age 100)
Ice Research Station, Arctic, 1976 / image from the exhibition online catalogue
But McCarthy’s art was much broader than the Arctic. Primarily a landscape painter, she explored abstract and surreal painting along with other new concepts through her long career. She influenced a generation of artists as a teacher at Central Technical School in Toronto and was also an author. Her own mentors were Group Of Seven members Arthur Lismer, A.Y. Jackson, J.E.H. MacDonald and Lawren Harris.
Landscape was always an inspiration for her, and she painted scenes from every Canadian province and territory. She also had a summer studio on Georgian Bay. (Above: Rock and Pine / Below Village Under Big Hills, both from Michael Gibson Gallery)
- Thanks to Jean of the Cycle Write Blog for suggesting this post.