Indigenous multimedia artist Sonny Assu is a member of the Ligwiล‚daโ€™xw people of the Kwakwakaโ€™wakw Nations on Vancouver Island, increasinly recognized as one of Canada’s pre-eminent contemporary artists.

A scenic landscape depicting a calm river with rocky formations, surrounded by trees and mountains, featuring individuals fishing and paddling on the water. Above the landscape, there are stylized turquoise shapes that contrast with the natural scenery.
From A Selective History exhibition, here

Assu says the impetus behind his work is “to bring to light the dark, hidden history of Canada’s actions/inactions against the Indigenous people. I often infuse my work with wry humour in an attempt to foster a dialogue; to speak to the realities of being an Indigenous person in the colonial state of Canada.”

This video, for his exhibition at Dunlop Gallery in Regina earlier this year, is a short reveal into Assu’s unique artistic approach.

“I’ve always talked about my work as the coming together of two separate parts – a combination of pop culture and northwest coast iconography”

A male artist sitting in a chair in his studio, smiling while resting his chin on his hand. He is wearing a colorful apron, shorts, and slippers. Behind him is a large artwork featuring bold designs and a variety of colors.
Sonny Assu, a portrait, Humans of Campbell River, here

A Star Trek nerd, he likes to fold it into his work

“Elements of scifi, pop culture and comic books have been a stead staple in my practice for its entirety.”

Three colorful abstract paintings displayed in a gallery featuring yellow, blue, and red dominant colors with stylized designs and wave motifs.
Star Trek elements in a previous exhibition called To Go Boldly(source)

Through his bold mashups of Kwakwakaโ€™wakw iconography with pop and western aesthetics, Assu has developed a unique visual language with which to reclaim Indigenous identity and explore the powerful crosscurrents shaping his worldview – Equinox Gallery, which represents him.

A large sign displaying the text 'Enjoy Coast Salish Territory' in stylized white lettering on a red background, with a curved white stripe beneath the text.
One of Assu’s earlier works, dated 2006

A 2019 project at the Audain Art Museum called Sonny Assu & Emily Carr, Conversing Cultures, demonstrated Assu’s rejection of the Euro-Canadian perceptions. The Indigenous villages pictured by the renowned BC artist Emily Carr have become part of Canada’s historical narrative, but Assu changes this narrative by interjecting Carr’s landscape with traditional Northwest Coast design elements, such as ovoids, s-shapes, and u-shapes.

Assu and Carr via CBC, here

These concept are re-expressed in the many works of his ongoing series Interventions On the Imaginary.

A stylized white church surrounded by green bushes and trees, with abstract pink shapes and text overlaid in the sky.
Sonny Assu, Re-Invaders: Digital Intervention on Emily Carr Painting (Indian Church, 1929) more at AGO

Assu studied at Emily Carr University and earned an MFA from Concordia. His many honours include the Emily Carr Distinguished Alumnus Award, BC Creative Achievement Award in First Nations Art , Hnatyshyn Foundationโ€™s REVEAL Indigenous Art Award (2017), and the Eiteljorg Contemporary Arts Fellowship (2021). Assu has exhibited widely in Canada and internationally, with works held in public and private collections across Canada, the UK, USA, and Australia.

A man sitting in an art gallery, with a colorful woven piece hanging on the wall and a sculpture displayed on a pedestal beside him.

Assuโ€™s work is included in numerous major public collections, including the National Gallery of Canada (Ottawa), Art Gallery of Ontario (Toronto), Museum of Anthropology (Vancouver), and the Vancouver Art Gallery.

Sonny Assu’s website, here

Instagram, here

At Equinox Gallery, here.

An interview with the National Gallery of Canada magazine, here.

Image at top of post: Sonny Assu, Peer-to-Peer, 2023, wool and cotton Jacquard tapestry (weaver: Sophia Borowska) 42″ x 75 1/4″


Logo for the '150 Canadian Artists' series featuring bold black text on a white background, enclosed in a red frame.

This is No. 79 in 150 Artists, an ongoing series on Canadian artists you should know.


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